Shadow Dance for orchestra, by David Dzubay
(2002)
Duration: 10 minutes
Instrumentation: 3(3+pc)333(3+cbn)/4431/timp.3perc.hp.pno/strings
Program Note:
"All things... are aggregates of atoms that dance and by their movements produce sounds. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound, at every moment, creates dense and subtle forms ."(1)
Perotin, a choirmaster at the cathedral of Notre Dame, composed the first known works of music written in four parts at the end of the twelfth century. His Viderunt Omnes, circa 1199, is an organum based on a Gregorian chant sung at both Christmas and New Years. Perotin's organum can be thought of as a lengthened shadow of the original chant. That is, individual notes of the chant are sustained in the bottom part for long periods of time, during which the three upper parts have active melodic sequences, often with a rather dance-like lilt. The upper parts playfully shadow each other with imitative melodic lines in the same register, constantly crossing back and forth. Contrasting with the sustained-note sections are more active discant sections, called clausulae, where the bottom part is also rhythmically active.
Shadow Dance, then, is a further shadowing of the chant, taking Viderunt Omnes as a base, or cantus firmus, and adding newly composed music above, below, and in between phrases of the Perotin, which is most evident during the first half of the composition. At the midpoint, "the rhythm of the dance changes" and the Perotin recedes, except for momentary glimpses back in time. Like the age in which we live, the character of this dance is unstable: by turns ominous, peaceful, celebratory, reflective, frantic, joyful, raucous, anxious, hopeful. (David Dzubay)
(1) Alexandra David-Neel, Tibetan Journey, London, 1936.
Recording:
 |
innova 634 American Midlife Slovak Radio Symphony Orchestra, Kirk Trevor |
mp3 1495k |
Slovak Radio Symphony Orchestra; Kirk Trevor |
Score samples (pages 1, 2, 4, 5, 33, 34):
